About a month ago, I was invited by street photographer Eric Kim to be a guest writer for his blog. He wanted me to write a few tips on shooting street portraits. Although I’ve already blogged about my thoughts and experiences while working on my Portraits of Strangers project, I haven’t really provided any direct tips on how to work on a project like this. So I started writing down a few quick tips based on what worked for me. I’d like to share this article with you guys. Hope this helps :)
Photo above taken by photography hobbyist Paulo Legaspi
Shooting street portraits of strangers is a very daunting task. Often when you see a stranger you want to photograph, you find yourself between a rock and a hard place: you can’t seem to ask them for their photo, yet you know you just have to. Here are a few tips that may help you get over that hill. It won’t make it easy, but it may give you the push to start creating your own set of portraits of strangers.
1. Get used to the fear… coz it won’t go away
There’s no magic formula to get rid of the fear. In fact, there’s a big chance that it will never go away. But that shouldn’t stop you from doing what you want to do. Don’t try to get rid it. Instead, try to shoot in spite of it.
When I was doing my strangers project, I was scared shitless most of the time. In fact, the fear I felt when I shot my 7th stranger was exactly the same when I shot my 100th stranger. Yup, my hands were shaking in both instances, and in most other instances between them. But I guarantee you; the struggle to shoot through the fear will all be worth it as you start acquiring one keeper shot after another. Then you’ll want to shoot more.
2. Keep it simple
“Is it ok if I take your picture?” Short, sweet, and direct to the point. Don’t start with a long explanation of what you want to do and why you’re doing it… this has the potential to intimidate your subject. If they’re curious, they’ll ask “what for?” Otherwise , they’ll just say yes or no. This saves time and effort for both you and the subject.
3. Be honest
When they do ask “what for?” sincerity will take you a long way. No need to come up with bogus scripted excuses. The last thing you want from the subject is a tinge of doubt or apprehension. Just tell them exactly what you’re doing: whether you’re working on a personal project, or just practicing your photography skills. Just be totally honest about the whole thing. You’d be surprised how many people would be supportive of you.
4. Expect rejections… but stay positive
They come in different shapes and sizes. Some people would be shy and polite when they say ‘no.’ Sometimes, they would even smile and say ‘thank you.’ But others are just downright nasty… as if you were some outcast to society. There’s no denying that this kind of rejection will stick, but only for a short while. Before you know it, you’ll be back in your feet looking for your next keeper. You need to accept the fact that rejection is an inevitable part of this whole process. But the exhilarating feeling of getting a series of keepers will more than make up for all the rejections you will get.
5. Hand out a card
This isn’t absolutely necessary, but it sure helps. Bring a business card along that states your name, contact details, and the website address where you intend to post the portraits. This gives the subject a sense of security that their photo is not being taken by a shady character with malicious intent.
I always bring Moo cards that has my contact details and a sample photo at the back. It’s professionally printed, and it looks cool. One of the best things about shooting street portraits is getting positive feedback from the subjects after they saw your site.
These are some quick tips on how to approach strangers. But getting a stranger to say ‘yes’ is only half the battle. Getting a good portrait, and series of good portraits, is the next challenge.
6. Avoid the snapshot smile
You know… the smile that you’ve smiled a thousand times whenever you’re in front of the camera. It’s almost always the automatic reaction. You may want to avoid this because more often than not, the snapshot smile looks contrived. You can either ask them not to smile… or if you really want that smile, make them laugh and capture the moment. The point is to capture the subject in their natural state. It makes for a better portrait.
7. Always be aware of the light
As you walk in the streets looking for a subject to photograph, always be aware of where the light is coming from. This way, when you encounter a subject, you know exactly how to quickly position him to get the best light. I’ve made the mistake of disregarding the light so many times because I was too excited that the subject said ‘yes’, I ended up with a portrait that should have been better.
8. Stay consistent
If you’re creating a series of street portraits, the set will be more interesting and meaningful if there’s a unifying factor amongst them. It can be as simple as consistent framing, background or lighting, or as profound as having a general human theme. It has to work as a series, rather than just having good individual keepers put together.
9. Establish eye contact
Rarely does a street portrait work when the subject is not looking at the camera. The viewer needs to feel an instant connection with the subject, and the most effective way is when the viewer feels like the subject is looking intently at him.
10. Have fun
Most important of all :)
If you guys have any more questions about this, just post it up in the comments :)
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This article was originally posted on Eric Kim’s Street Photography blog. I’d like to thank Eric for giving me this chance to share my tips and experience on shooting street portraits.
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Do you ever count 1-2-3 for your subjects before taking a photo?
@ge: hehehe nope… When I see the expression I’m looking for, I say “that’s it!” then I click away :)
Nice job with this post. I often emgage the.subject in conversation as i snap away. Or, if they’re with a friend, i’ll have that friend stand next to me and have the two converse. Personally speaking , portraits where the subject is speaking, gesticulating, laughing etc take on more of a documentary ゛air゛ about them. If i’m lucky, i can get their hands in the frame, too.
@russell: That’s definitely a good way to do it. I actually use that strategy on paid portrait shoots :)
Thanks for sharing! How about model release? Do you ask them to sign or just shoot and go?
@mark: You’ll only need a model release if you plan to use the photos for commercial purposes. If for portfolio or art purposes, no need for this. It’s always ideal to have release forms for every keeper that you have, but not always practical or doable when shooting in the streets. I started this project with not intentions of using the photos commercially… so in my case, no I didn’t have them sign a release form.
Sheesh. I admire what you do so much. I am always so jittery when asking for permissions for strangers. I almost always chicken out.
The fear starts off when they notice you walking in their direction, right before the approach. Do you get that? Any tip to overcome that fleeting moment?
@Jamie: I always get that fear, man… and yes, at exactly that moment before the approach. Just go with the fear, get used to it. Just remind yourself that your doing all this for a good killer portrait. And when you get that keeper shot, it will all be worth it :)
all the thing that you wrote is 100% correct,i feel that too and yes the fear won`t ever go away,and i hate it when i get rejected then got a stare like i`m a pervert freak LOL
Hi!
I guess you and the model on the street want to use as little time as possible during a shoot. Do you have time to fix the settings of your camera manually or do you use aperture or a shutterspeed priority? And have many pictures do you usually take of one person? Do you have time for more than three or four?
@Fredrik: I try to shoot as quick as possible coz I don’t want to overstay my welcome. I take 3 shots at f1.4, then I take another 3 shots in f2… then that’s it. I don’t review the shot in front of the subject, I just say “thank you” and move on hoping that I got the focus right. Of course, this is just one way of doing it. Others I believe have actually engaged the subject to friendly conversations allowing them more time to adjust settings until they get the shot right.
Danny, from the photo above and from your post, I’m assuming you’re not using a flashgun when doing this project. And yet it seems, you have no problem in lighting your subjects. How do you position yourself and the model with regards to the available light when taking photos?
@Jan: I always shoot under overcast skies or if the sun is up, I shoot within the shadows of the buildings or line of trees… this way, I can have very soft light falling in the subject’s face. I also try to be conscious of the general direction of the light so I can direct the subject where to face. Preferably, the light is coming from the front or from the side of the subject.
Hi Danny, you have told earlier that You take 3 shots at f1.4 and another 3 shots at f2.. then will you please inform whether you use exposure bracketing or white balance bracketing for those sets of 3 shots.. Thanks for sharing and regards,
Tarun Kr
@Tarun: Nope, I don’t use any bracketing with the multiple shots. I just choose which one shot I think came out best and I stick with that shot.
Thanks for sharing your work and tips! You are very inspiring.
Awesome tips! Thanks for sharing. Keep up a wonderful work.
Hi, I am doing it exactly the same way – right over here in Munich, Germany. Started a series of people in Munich: Münchner Kindl. There will be 136 portraits in the end (for the 1.36 mio people living here). Sadly, I do not have that much time due to my job. So I go out shooting every 1-2 weeks to catch at least 1-2 good portraits.
Just have a look (and ignore the German stories in case you don’t speak German):
http://leichtscharf.de/category/munchner-kindl/
Randomly discovered your photography through Flickr. Thanks for sharing (photos and tips)–your photography is inspiring!
Well, surfing in a way to find inspiration, I’ve get this website. Very nice advices I should take for personnal project.
Thanks for sharing this !
Danny, thanks for the reply, your work is very inspiring.. I’ve always wanted to go to Singapore to practice my profession(I.T.). Now my desire to go there is greater not just for work but also to meet people like you and David, whom I look up to when it comes to photography. Daghang Salamat Bai!
Hi, Danny! Very useful information. Im blogging about young Russian designers. And now i want to start making street looks (in Russia and Ukraine). Thank you, you are really inspiring)
I’m actually going to an event called Urbanspace soon, and I’m really hoping that someone would teach me how to capture strangers. And I found you, and this post helped me :) thank you so much and your photos on flickr are really amazing & stunning! Thanks again :)
Thanks for sharing. It’s very usefull tips…
Really enjoy your blog and work. Thanks for sharing!
An unrelated two cents.
I find the phrase “photography hobbyist” a little offensive. I’m not a pro, and don’t know that I want to be one. I am, however, not a hobbyist — I’m an artist. So is anyone else who takes their craft seriously, be it painting or drawing or photography. Perhaps I’m being a little thin-skinned, but it seems a bit dismissive and disrespectful.
Anyway, thanks again.
@Ciam: Thanks for the feedback. I’ll definitely keep that in mind for future reference. It’s funny coz I actually also refer to myself as a “photography hobbyist” so I never hesitated to call someone else as such. But again, I’ll keep those points in mind :)
Hey, i remember reading one of the tips you said and that was that you have to be honest with the person if they ask for what reasons for you taking the photo.
I wonder what do you say to the people that ask what you are doing it for?
I just wondered becuase i see myself as wanting to be the best i can but at the moment i can only take pictures for myself to be ready when i need to present them to someone, i feel people think your wierd if your taking the photos for your own reasons but i just told you what my reasons would be.
I just got the impression that your work would be for yourself “Portraits of Strangers”
@Jason: I try to keep the explanation quick and simple. I just usually say I’m shooting portraits of people around here as a personal project for my portfolio… that’s about it. Most people I approached understand and are quite supportive of it.
Danny im a big fan from Chile, this album is really amazing, the pictures on this have some magic, congrats.
ps: can u give me any tip for the photoshop? how do u get those amazing colors?
Thanks, Gabriel :) I remove some distracting skin blemishes and selectively adjust the highlights and shadows in Photoshop… but I don’t really do anything with the colors. If you have good light during the shoot, the colors should come out perfect.
Kabayan, so proud of what you’ve achieved there in Singapore. Fantastic photos and even a more fantastic story behind what you’re doing. Hope to do what you’re doing here in the Philippines.
nice, this is something I’ve always been interested in but have always been to shy to try.
I mostly don’t like taking pictures of people because I feel like I’m invading their private space, or people try to hard (snapshot smile). It’s hard to make them look natural. You succeed at that, which is why I love your work (among other things)
These are great pieces of advice! I recently set out on my first strangers project, shooting portraits on the street in Downtown Toronto. It was at night so I actually set up a flash and reflector. here is the set http://jmphotographyonline.wordpress.com/2011/07/11/studio-in-the-street/
Danny, thanks a lot for sharing this. You’re an inspiration for all of us. I’ve discovered this article on google+ and I see you’ve begun posting there. I look forward to seeing what other great shots and articles will be coming from you.
Cheers,
Thomas
This is so encouraging! Thanks for the great tips and for motivation to get some cards made. ;-)
Danny what lens do you normally use to shoot with?
Whoa love your style of street photography
Can I know how did you do to make the background effects?
Sorry my english, i´m not anglophone
@Melody: by using a long lens with a large aperture (I used an 85mm @f1.4), and making sure that the subject is quite far from the background.
Your photos are incredible.
The way you create continuity and an evenness within the series, of completely unrelated people and places, is a revelation for me.
Your use of indirect light is masterful, and our ability to make people comfortable is incredibly powerful.
Can’t wait to see what you do in the future. You just might be our generations Dorothea Lang or Steve McCurry.
Thanks for sharing Danny, i found you on Behance Network and your ‘strangers’ project(s) are very close to a project i’ve conceptualised and your advice was very needed! Great photo’s!
Keep shooting without bullets…
Hi Danny – Incredible work!
How many people do you approach on average? Per hour? Per session?
Also how many keepers do you produce vs how many people you approach? 1 keeper per 10 people or at least 1 keeper per person?
Thanks for the inspiration.
@Austin: Thanks, man. I tend to get very picky as the project went on.. so for a session, sometimes I approach 6-7 people, other times I only approach 1. There are some portraits that I did not include in the set mainly because of technical issues, and sometimes because it didn’t turn out as I expected. I think I have about 10 or 15 portraits that remain unpublished.
I hope this helps.
Thanks for putting it all together. Great advice.
Hello! First of all, thank you, thank you for the tips, thank you for the links you share, thank you for giving us the opportunity to know so many beautiful and unique people through your wonderful portraits.
I have a few questions to ask, as I’m too afraid to take pictures of strangers:
1. Do more people say yes or no?
2. Have you ever had a bad moment, when they freak out, run away, or things like that? Maybe I’m too dramatic, but I’m afraid they see me as a total stalker or someting (I highly doubt so, as I’m a teenager girl, but people are people).
3. I’ve always wondered what’s the best light for portraits, and because you manage to get a really soft light, with no shadows, I thought I could ask you about it.
4. And finally, the thing everybody’s asking about: the blur! But I suppose it’s because you’re standing near and using a short focal lenght, is it?
Thank you, once again, and sorry for the stupid questions. Photography makes me feel too excited
@Bian
Thank you for following my work :)
1. More people say yes.
2. No such moment.. the worse I got was a snobbish ‘no!’ as if I’m a pervert or something. The stuck with me for a few minutes, but eventually got back on track. You’re next ‘yes’ will more than make it up ;)
3. I always shoot in overcast skies, or if the sun is out, I shoot in the shade – the bigger the shade, the better… like if it’s a shade of a large building. Oh and that perfect shade is always cast on late afternoons or early mornings… never noon.
4. I used a long lens with a very large aperture (85mm f1.4), and I made sure that the distance between the subject and the background was big.
I hope this helps :)
It helps a lot :) Thank you so much again. It’s amazing to find great artists that are willing to give advice!
Hi Danny!
Totally inspired by your work! it’s changed my life as i’ve started to study and learn about photography as much as i can!! :) i had a few annoying questions that I was hoping you could clarify a little with your wisdom?
1. how are you obtaining such sharpness in the eyes – are you just autofocusing, autofocusing initially followed by manually adjusting the focus and hoping it’s correct or is it more of a post processing enhancement?
2. what was your thought process or decision making for your specific gear -eg. Nikon over other brands, 85mm f/1.4 prime ?
3. how long on would you roughly estimate you spend on post processing an image?
.. sorry for the interrogation and many thanks again for your continual inspiration!
@steven:
Thanks for the kind words, man.
1. It’s auto-focusing right in the subject’s eye. And to ensure the camera focuses correctly, I take 3 shots at f1.4 (wide open), and 3 more shots at f2 – just in case the focus if off at wide open. Post processing helps further, but only when you’ve nailed the focus.
2. My decision to choose Nikon was pretty trivial… the professional photographers I knew used Nikon, but when I was trying to decide myself, the red design bit below Nikon’s shutter button attracted me :) I decided on 85mm f1.4 because that’s what I had… and it was Nikon’s known portrait lens.
3. I haven’t really timed it, but I guess it’s between 5 to 15 minutes – depending on the image.
Hope this helps.
Hi, I read your blog yesterday night and the tips you gave on this page really works! I went to Kg Glam this morning and I went up and start asking people whether I could photograph them. Not only do I get to photograph them, they posed for me too. It was so much fun. I overcame my fear and I just “did it!” Would not be possible if I did not read what you wrote. Of course, the pics still came out crappy as compared to yours but now hey! they are “happy crappy”. Keep up the good work!
Slim
Thanks for sharing these tips…i think conquering that fear is the hardest part….Will you mind if I do this as my personal project as well? I will do my own version of “Portraits of Strangers” inspired by Danny Santos….